Some self-appointed tango-experts claim the term “Molinete” was never used in Argentina’s past. Take a look at these two books, from the early 1900’s, that prove them all wrong.
Understanding and using contrabody and disassociation is the most important thing that separates a beginner tango dancer from intermediate and above. This chart (adapted from “Dance Anatomy and Kinesiology”) shows […]
This image, adapted from the book “Dance Anatomy and Kinesiology” shows two electromyograms of the musclar effort of a skilled dancer (A) and an unskilled dancer using excessive muscular effort […]